Showing posts with label Wallace Reid. Show all posts
Showing posts with label Wallace Reid. Show all posts

Tuesday, July 24, 2018

Hawthorne of the U.S.A. (1919)

Originally posted to Facebook on 11/20/2016

Hawthorne of the U.S.A. was our third film from 1919. It starred Wallace Reid, whom we last saw in a leading role in Carmen, from 1915. There are a variety of other familiar faces as well: Lila Lee, the female lead, and Theodore Roberts both appeared in Male and Female, from just a few weeks back, and Charles Ogle we’d seen as far back as 1910 playing the monster in Frankenstein, and also more recently in Romance of the Redwoods. Also present was Harrison Ford as the protagonist’s best friend, or as IMDB calls him, Harrison Ford (II). I’ve been vaguely aware that there was a silent film star with the same name as the modern actor, but this was the first time I’d seen him in an actual film. The film itself is based on a play, and is essentially a romantic comedy, though with a slight satirical tinge. It begins with Reid winning a fortune at Monte Carlo, and making some vaguely anti-monarchical statements. This encourages some revolutionaries from the fictional country of Bovinia to draw him into their attempts to overthrow Bovinia’s king. Once he arrives in Bovinia, he ends up falling in love with the king’s daughter, and gets involved in various other intrigues. Overall it is a lightweight, occasionally amusing film, with no serious political points to make, excepting possibly the out-of-style viewpoint that the solution to foreign instability is just a good dose of American common sense. The revolutionaries even today seem reminiscent of the Bolsheviks, and certainly must have seemed that way to the audiences of 1919, but the source play was performed on Broadway in 1912 (and, as an aside, starred Douglas Fairbanks), so 1917 is presumably not the specific satirical target.

Next week we watch True Heart Susie, our final film from 1919, and our third feature from D. W. Griffith, starring Lillian Gish and Robert Harron. After that we’re going to take a couple of weeks to watch some shorts from the teens, and then move on to the 1920s. The list, as always, is here: https://bit.ly/2lZtfmT

Sunday, June 24, 2018

Carmen (1915)

Originally posted to Facebook on 5/24/2016

We had a busy weekend two weeks ago, so we didn’t get around to watching our second film from 1915 until this last weekend. The film we watched was Carmen, and it is the first movie we’ve seen directed by Cecil B. DeMille. Like Raoul Walsh from the previous week, DeMille had a long career in both the silent and sound era, including Cleopatra (1934), and The Ten Commandments -- both the silent version in 1923, and the 1956 version with Charlton Heston that used to be shown every year on TV. DeMille also had a memorable role as himself in Sunset Boulevard. However, unlike Raoul Walsh, he is probably more identified with his earlier, silent work than his later films.

There were two versions of Carmen released in 1915, as well as a parody (or “burlesque”) by Charlie Chaplin. The other non-parody was coincidentally directed by Raoul Walsh, but it is now lost. This film was based roughly on the opera, and its lead, Geraldine Farrar, was a famous opera singer. The backing music on our DVD was taken from the opera as well, and, although I know very little about opera, it is well-known enough that I recognized several pieces. The movie was fairly short, lasting about an hour, so the pacing was brisk. It is set in Spain approximately 200 years ago (i.e. 100 years before the movie was made) The plot concerns a group of gypsy smugglers (portrayed as always with nuanced sensitivity), including Carmen, and a town guard (played by Wallace Reid) that gets mixed up with them. Without spoiling anything, I will just say that it does not end well. Like our previous film from 1915, I don’t think I could really recommend this to a general audience, but we do seem to be in a run of films that are at least competently made and able to tell a coherent story.

Next week we will watch our third film from 1915, a version of Alice in Wonderland. We had previously seen a ten minute version from 1903, but films have totally changed in those twelve years, so I’m expecting a far more sophisticated version this time around.

Our list of upcoming films is shown here: https://bit.ly/2lZtfmT